The Artist's Way

I promised a review of the book, "The Artist's Way". I've had the book for a number of years. Having heard a number of wonderful comments about it, I bought it while on vacation and looked through it but never had an inclination to do the work it requires. Anyway, I didn't need to be inspired. I wanted to paint everything at the time.
Having gone through that phase, and feeling a little stuck in my work lately (actually for a while now) I bought the author's new book, "Walking in this World", the audio version. I've been walking and was looking for some material that would inspire me. "Walking in this World" turned out to be a perfect listen. It's really kind of a continuation of "The Artist's Way". I decided to do the work.
It's only a few excercises, and a few more suggested writing ideas. The first, and most important is "Morning Pages". Morning pages is what she calls it, but all you have to do is write three pages in a journal every morning. Journaling has always been a challenge for me, but three pages is just enough. I did some journalling while going through some really hard stuff some 20 years ago and know the benefit of it. So, I believe in this excercise and know how much it can do to sort out my scattered ideas and challenges. I'm excited about this! I find myself making good decisions while writing in the morning. Some things are coming up that probalby need to be delt with and have for a  while. I'm the princess of procrastination and perfectionism. I feel like I'm facing my fears.....
The next excercise is what she calls "Artist Dates". It's a date with my artist self, once a week. I haven't really figured this one out yet, but for me it would mean a trip to a gallery alone to enjoy the artwork, or a trip the the art store, something like that.
The other exercise is what the second book, 'Walking', is about. This has done wonders for me. What she says is true for me: No matter what kind of state you might be in physically or mentally, walking will set you free and bring you peace.
I highly recommend these two books.
ps I've been painting and have a few in progress - so I will post some of them soon......

The Artists Way and Walking in this World

I'm working through the world renowned book, The Artist's Way by Julia Cameron, and the audiobook by the same author, Walking in this World. Both wonderful for the artist in us all. Stay tuned for a full report.
Randy

Just a Few Tips

By doing a few things different while painting, you can save yourself a lot of trouble and who needs trouble when painting is hard enough?  (It's not that I"m an expert on these matters, but along the way I have learned ways to make my life easier.)

It may seem like a small thing but cleaning brushes correctly is going to save your brushes. This goes for me too! If you want your brushes to last, it's important to take the time to keep them clean and conditioned. There are many ways to go about this, and I'm not saying mine is the best but this is how I do it (with very good results):
When I'm painting in the studio I use my brushes starting with the large ones and moving to the smaller ones. When I clean them, I start with the smaller ones and move to the larger ones. When I'm finished painting, I wipe each brush and squeeze out the paint with a paper towel. Then I dip it into the mineral spirits. The first dip (and this goes for during painting also), doesn't touch the bottom of the can. It will get the brush wet enough to get more paint out of it with another squeeze of the paper towel. The next dip is the swish into the tray inside the spirit can. Try to  gently wipe the brush back and forth inside the can to remove the paint. Wipe again with a paper towel. Do this one more time. Now dry the brush with the towel as much as you can to get the mineral spirits off. Mineral spirits, when left in the brush will dry the brush and make it brittle. After a brush gets brittle, the hair will break, and you will be buying another new brush before you know it. If you are going to clean your brushes with soap when you get home, you can put them away. If you are not going to get to it, take another step before you pack up. Invest in some walnut (or other)  oil and dip your brush into it, wipe again with your paper towel. As you wipe shape it and put it away. This will keep your brushes conditioned until you can soap them. When you use soap, use a gentle soap. http://www.brushflush.com/
I use brush flush. It will get paint out of anything and everything, even dried paint. It is very important that you don't let the paint dry in your brush. When cleaning with the soap, dip it into the soap and a little water, suds it up in your (gloved) hand, rinse. Repeat this until there is no more color coming out in the rinse water. Now wipe a little bit of the clean suds onto the bristles, shape with your fingers and lay flat to dry.

I am always trying to find ways to keep my mineral spirits clean while I'm painting. This in turn will keep my painting clean because my paint will stay cleaner. Also, if my mineral spirits aren't too mucked up, my brush will be cleaner and I can paint a brush stroke with clean color.
So let's say I've been painting in my studio, as I'm painting I wipe my brush after every brushstroke or two with my paper towels. I use as many paper towels as I need in order to keep the paint from getting all over everything. It is well worth going through a bunch of paper towels in order to get good results. It does you no good whatsoever to continue to try to use a paper towel if it is covered with paint! So, don't hesitate to throw away your paper towel, even if it is not half way used. You won't be sorry and your paint won't be all over you and your hands. (And everything else!)

It is also very important to keep your palette clean. After I've laid in my painting, I clean my palette. Scrape it with your palette knife, save your piles so you can use them in your painting, and wipe it down. If you need to you can dip your paper towel into your mineral spirits and wipe. A baby wipe works well to, but be careful because it may leave a little residue on your palette. Now you are ready to continue painting. This will save you considerable greif! Repeat as many times as you need. At the end of a session, use your razor blade scraper and scrape down your palette. I move my piles of paint at this point, into a clean area, clean underneath the area where the paint sits, and them put the paint back in it's place. I am now ready for my next session with clean juicy paint (and brushes). Put a lid on your palette. If you don't have a lid, wrap it with saran wrap, tightly. When you get home, put it in your freezer. It will last longer and be fresh the next day.

Photos from July in Paris. Isn't she beautiful? Tomorrow I'm driving to the Bay Area again for my Plein Air class with Brigitte Curt.  http://www.classart.org/  I'm hoping for a good painting day, and I'm beginning to feel like maybe I can really be an artist some day!

Sergei Bongart

Peak of the Harvest, Provence

15 x 30 Oil on Canvas

by Randy Blasquez

I finished another Provence painting and decided to post it. But I want to talk about Sergei Bongart tonight. Barnsite Gallery recently compiled these quotes from the book "Sergei Bongart" by Mary N. Balcomb.

"Every good painting has color that goes through it."

"Artist need to say something no one else has said."

"Don't try to paint Idaho and Montana on canvas; pick small spot, make more intimate painting."

"Good artist should be two people; one who paints and one who tells when finished. What you leave out is more important than what you put in."

"Never become an artist if you can't learn to draw."

"Paint for certain idea. Think about co-lor and design, not story. Real artist never paints story. Overstate, don't be afraid to say something loud and clear."

"The less inhibited you are the better."

"Painting is drawing with color and form."

"Exaggerate light. Work always big to small. First you paint apple, then you paint worm holes."

"Good art always has moment of surprise." Sergei Bongart

Brigitte Curt

I have some likes and dislikes about my study. I do like the organic feel of the piece. My recent larger paintings feel a little too "pretty" to me and I think this practice will help me with that. There is more color in the darks than the photos shows, and this is good, but some of the color is a little muddy.

I've started the 10 week plein air painting course with Brigitte Curt in the Bay Area. I've become attached to her and Jim's teachings, and decided it was worth the drive on Saturday mornings. Two hours and twenty minutes. We are painting in a new location and I'm not sure I like it, but maybe I am not yet inspired. Last Saturday, by the time Brigitte painted her demonstration I was inspired enough to spit one out. I liked the color most and focussed on color harmony. Below are a few tips and reminders that Brigitte talked about while she was painting her demo:

• sketch three value thumbnails before you start to insure a good design and story
• hold your brush so lightly, that if someone were to bump into you, it would fall out of your fingers
• use a transparent underpainting
• remember to choose your light direction
• for the shadow on the ground when you are outside, remember that the shadow color is NOT related to the object that is casting the shadow - it is light in value and more related to the color of the ground
• the darker values will deminish in value in the distance quicker than the lighter objects
• use your lifter like an earaser to wipe out areas or draw in the light
• for your underpainting value remember that the final value will hold better if the underpainting is slightly darker than the final value
• after you paint the underpainting use your mirror to check the composition before you proceed
• use a larger brush with a lighter touch than you think
• go after the mood
• relate the colors in your painting - do not make them compete
• block in using general colors
• back up a lot!
• when you use a color for the block in, such as the tree color, save the brush for later
• sky - use some of the color in your motif and make it into a sky value

 

The Still Life

I have made the decision to set up a still life every week for the students to paint from, or not. This will give them the opportunity to paint from life in class regularly, and hence, learn to "see" as painters. We had fun the first week. I found some stuff sitting around the studio and set it up on one table, and put some flowers in a pot on another. I'll post some finished paintings tonight.