Sunday, October 26, 2014

A Better Painting Every Time!

October Gold
Oil on Linen Panel   6x8"
Available Here



Above is an example of a quick notan sketch in oil paint. I used a photo reference for this, along with my little plein air piece that I brought back to the studio. I was preparing to paint a larger piece, and was showing my students how to use this idea, (I planned to use the little plein air as a color reference.)
Do yourself a favor and paint a little notan while exploring your subject. It's quick, easy and it will really get you into the discovery process that is so important with design. If you take time to paint a beautiful piece with extraordinary color and brushwork and the design is not right, the painting will not be great. Something will be "not right", and no amount of "fixing" will do it.
And don't forget, this exercise will get the creative "right" side of your brain in motion. It will free you up to explore and create your best piece yet. Use your pencil or brush for this preparation, or both!


Just thought I'd share with you the idea of working with values while designing a painting. Yes, I said "design". Composition and design are an essential element of preparing for a good painting. If you jump right into your beautiful scene before having a strong design in mind, well, it may not turn out to be as good as it could be.
I like to suggest to my students to draw a quick notan sketch or three. Look for the best rhythmic dark/light pattern (notan). Start here and then look for the value shapes by squinting a lot to allow the values in front of you begin to form larger shapes. Sketch them quickly, then name them. This is a decision process, you are looking for what appeals.
I suggest that you paint a large value scale with no more than five values plus black and white. Use this scale to find the value that you've decided on for each shape. Here is a trick, while mixing paint with your palette knife check each value by moving the knife over to your scale, hold it over the value you are going for and squint. If it goes away, the value is correct.
This will teach you to see value and after this consistent practice it will begin to go easy. Give yourself time and be patient. We are learning to see in a whole new way. Now you will have a better painting every time!
Trust me when I tell you that this is the way the Masters see! It is worth the time and effort.

Sunday, October 5, 2014

Blog Post Review

a photo of the smokey Truckee area and red moon last month

I've been a little under the weather this past month, so not a lot of painting these past few weeks. I also spent another week in Sacramento doing some family stuff.....


But I have not forgotten about you! I've concluded that with a condition like "chronic fatigue syndrome" and "autoimmune disease" that I cannot continue to try and live my life as though it was not a part of my life. I've finally accepted the fact that it will not get better unless I slow down. I'm not sure how that will all unfold, but we will see.

I didn't finish the 30 paintings from the Leslie Saeta challenge this time. Perhaps I will get it done, but again at a slower rate. Painting and teaching is also a part of me and I will continue with those things, also at a slower rate. (for now)

I've decided to re-post some of my old posts. I've been going back through them and reviewing some of the lessons I've shared over the past five years. I have many new students and I thought it might be a good idea to re-share some of these ideas. 

Yes. life is again a changin! Life is very good and I will just slow down a bit and look at where all this is going. In the meantime, I appreciate my readers, students, and friends. I appreciate all of you. Please let me know what topic you would like to discuss here on the blog. My desire is to post painting lessons on the blog in a "chapter" type manner, covering one topic over several weeks. 

Be sure to comment on them and also add your ideas about the subject matter. Enjoy!

Just a Few Tips

By doing a few things different while painting, you can save yourself a lot of trouble and who needs trouble when painting is hard enough?  (It's not that I"m an expert on these matters, but along the way I have learned ways to make my life easier.)

It may seem like a small thing but cleaning brushes correctly is going to save your brushes. This goes for me too! If you want your brushes to last, it's important to take the time to keep them clean and conditioned. There are many ways to go about this, and I'm not saying mine is the best but this is how I do it (with very good results):
When I'm painting in the studio I use my brushes starting with the large ones and moving to the smaller ones. When I clean them, I start with the smaller ones and move to the larger ones. When I'm finished painting, I wipe each brush and squeeze out the paint with a paper towel. Then I dip it into the mineral spirits. The first dip (and this goes for during painting also), doesn't touch the bottom of the can. It will get the brush wet enough to get more paint out of it with another squeeze of the paper towel. The next dip is the swish into the tray inside the spirit can. Try to  gently wipe the brush back and forth inside the can to remove the paint. Wipe again with a paper towel. Do this one more time. Now dry the brush with the towel as much as you can to get the mineral spirits off. Mineral spirits, when left in the brush will dry the brush and make it brittle. After a brush gets brittle, the hair will break, and you will be buying another new brush before you know it. If you are going to clean your brushes with soap when you get home, you can put them away. If you are not going to get to it, take another step before you pack up. Invest in some walnut (or other)  oil and dip your brush into it, wipe again with your paper towel. As you wipe shape it and put it away. This will keep your brushes conditioned until you can soap them. When you use soap, use a gentle soap. http://www.brushflush.com/
I use brush flush. It will get paint out of anything and everything, even dried paint. It is very important that you don't let the paint dry in your brush. When cleaning with the soap, dip it into the soap and a little water, suds it up in your (gloved) hand, rinse. Repeat this until there is no more color coming out in the rinse water. Now wipe a little bit of the clean suds onto the bristles, shape with your fingers and lay flat to dry.

I am always trying to find ways to keep my mineral spirits clean while I'm painting. This in turn will keep my painting clean because my paint will stay cleaner. Also, if my mineral spirits aren't too mucked up, my brush will be cleaner and I can paint a brush stroke with clean color.
So let's say I've been painting in my studio, as I'm painting I wipe my brush after every brushstroke or two with my paper towels. I use as many paper towels as I need in order to keep the paint from getting all over everything. It is well worth going through a bunch of paper towels in order to get good results. It does you no good whatsoever to continue to try to use a paper towel if it is covered with paint! So, don't hesitate to throw away your paper towel, even if it is not half way used. You won't be sorry and your paint won't be all over you and your hands. (And everything else!)

It is also very important to keep your palette clean. After I've laid in my painting, I clean my palette. Scrape it with your palette knife, save your piles so you can use them in your painting, and wipe it down. If you need to you can dip your paper towel into your mineral spirits and wipe. A baby wipe works well to, but be careful because it may leave a little residue on your palette. Now you are ready to continue painting. This will save you considerable grief! Repeat as many times as you need. At the end of a session, use your razor blade scraper and scrape down your palette. I move my piles of paint at this point, into a clean area, clean underneath the area where the paint sits, and them put the paint back in it's place. I am now ready for my next session with clean juicy paint (and brushes). Put a lid on your palette. If you don't have a lid, wrap it with saran wrap, tightly. When you get home, put it in your freezer. It will last longer and be fresh the next day.